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About

“Making paintings which are as timeless as they are precious, and hope they will be loved for generations.”
Kean Onn See
Kean Onn See creates paintings on carved woodblocks. He begins his painting on paper. The image is then transferred and carved on woodblock before it is painted.
It is a laborious creative process. And he loves it.
VIew HiS Works

Kean Onn See's paintings are drawn, carved, and then painted on woodblock. Every stage of this creative process requires a different set of skills, which must come together technically and creatively, to form the finished work. 

Every work begins on paper. The image is then transferred to a woodblock. Using both traditional and modern engraving tools, the lines of the image are carefully carved to achieve the desired textures.

Finally, the carved woodblock is sanded, before it is lightly painted with multi layers of acrylic paints to create textures,  layering colours strategically, while revealing the natural grain of the woodblock. 

Kean Onn See - Painting on carved woodblocks

Inspired by the process of Japanese woodblock prints, and his love of carving and painting, he continues to explore new techniques and tools to further develop this meticulous way of making art.

Primarily self-taught, Kean Onn See started painting as a hobby in his early 30s and pursued this interest while working full-time. 

Crossing genres from landscape, still life, interior, and recently portraiture, Kean Onn See has been a finalist in the Sir John Sulman Prize, Mosman Art Prize, National Emerging Artist Prize and KAAF Art Prize in 2023.  

In 2024 Kean Onn See was a finalist in the Archibald Prize, and Blake Prize.  

Kean Onn See was born in Malaysia and now lives and works in Sydney, the land of the Gadigal. 

Hand drawn, carved then painted on woodblock.

Process of Making

What can be a laborious process is broken into three stages.

Each stage is a prerequisite for the next, and all must come together to form the finished work.

Drawing
Kean Onn's begins his paintings on paper. Elements in the image are meticulously composed, studied and edited before the final image is transferred to a woodblock by hand.
Carving
Using both traditional and modern engraving tools, the lines of the image are carefully carved to achieve the desired texture.
Painting
The carved woodblock is sanded, before it is lightly painted with at least four layers of acrylic. The goal is to create textures by layering the paints strategically, and at the same time, revealing the natural grain of the woodblock.
View HIs Works

CV

Solo Exhibition

  • 2022  "Spirited Away" Art2muse Gallery
  • 2019   "Making Tracks" Art2Muse Gallery

Group Exhibition

  • 2023   The Archibald, Wynne and Sulman Prizes
  • 2024  68th Blake Prize
  • 2023  KAAF Art Prize
  • 2023  National Emerging Art Prize
  • 2023  Mosman Art Prize
  • 2023  The Archibald, Wynne and Sulman Prizes
  • 2022  In The Garden, Michael Reid Murrurundi
  • 2021  National Emerging Art Prize
  • 2018  Mosman Art Prize

Awards

  • 2024   Archibald Prize,  Finalist
  • 2024  68th Blake Prize,  Finalist
  • 2023   KAAF Art Prize,  Finalist
  • 2023   National Emerging Artist Prize, Finalist
  • 2023   Mosman Art Prize,  Finalist
  • 2023   Sir John Sulman Prize,  Finalist
  • 2022   KAAF Art Prize,  Finalist
  • 2022   Lethbridge 2000,  Finalist
  • 2021  9x7 Landscape Prize, Finalist
  • 2021  Blacktown Art Prize, Finalist
  • 2021  National Emerging Artist Prize, Finalist
  • 2021  Waverley Art Prize, Finalist
  • 2021  KAAF Art Prize, Semi Finalist
  • 2021  Lethbridge 2000, Salon
  • 2021  Lethbridge Landscape Prize, Salon
  • 2019  KAAF Art Prize, Semi Finalist
  • 2018  Mosman Art Prize,  Finalist
  • 2017  Brisbane Art Prize,  Finalist